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Both before and after
The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty)
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2009
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Where water comes together with other water
Pratchaya Phinthong "What I learned I no longer know; the little I still know, I guessed"
Nord, Nord-Ouest
Roman Ondák "Fluid Border"
Ryan Gander "It’s a right Heath Robinson affair" (A stuttering exhibition in two parts)
Mark Geffriaud "If one were only an Indian"
Berlin-Paris, a gallery exchange
2008
Yann Sérandour "Weiss"
Pia Rönicke & Zeynel Abidin Kizilyaprak "An Usual Story From a Nameless Country"
"Faces"
Jiri Kovanda "Two Cushions"
Omer Fast "De Grote Boodschap"
2007
"Cinematic Panorama"
Elina Brotherus
Pratchaya Phinthong "if I dig a very deep hole"
Julius Koller "Space is The Place"
Mac Adams "07-70"
"The Last Piece by John Fare"
"Time Files"
2006
Dominique Petitgand
Pia Rönicke "Rosa's Letters- Telling a Story"
Jiri Kovanda "Jiri Kovanda vs Reste du Monde (Tentatives de rapprochement)"
Roman Ondák "More Silent Than Ever"
"Outside The Living Room"
Deimantas Narkevicius "Instead of Today"
Omer Fast "Godville"
2005
"Petites compositions entre amis - Sequence 3"
"Petites compositions entre amis - Sequence 2"
"Petites compositions entre amis - Sequence 1"
Elina Brotherus "Model Studies"
2004
Pia Rönicke "Without a Name"
Loris Greaud "Ending Introduction"
Robert Breer
Alban Hajdinaj "My Home is Your Home"
2003
"Links"
"Present Perfect"
Roman Ondák "Talker"
2002
Mac Adams "Beneath the Shadow"
Omer Fast
Deimantas Narkevicius
Dominique Petitgand
2001
Robert Breer
Elina Brotherus "Suites Françaises 2"
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Art 41 Basel

Communiqué de presse

Art 41 Basel Art Feature Hall 2.1, stand R8 16-20 juin, 2010

Július Koller, Jirí Kovanda & Roman Ondák

Et aussi :

ART FILM, Stadtkino Basel, mercredi 16 juin 22h et jeudi 17 juin 10h : film de RYAN GANDER "Basquiat", 2008

ART SALON, jeudi 17 juin à 12h, sortie du lancement du catalogue “In memory” d'OMER FAST

The exhibition gathers the works of Július Koller, Jirí Kovanda and Roman Ondák, as a multi-layered constellation, confronting their attitudes, aiming at revealing formal and fundamental inheritage or connections as well as differenciating their positions.

Július Koller’s and Jirí Kovanda’s work bridge disciplines and reflect on the circumstances of life in a particular social and historical context and within an unofficial art world and audience. In response to the end of the dream of a “third way” following the Prague Spring, Július Koller reinvents himself as a “U.F. O. -naut” and performs subtle feats of imagination, poetry and political declaration that mesh with reality. At the same time Jirí Kovanda made small incursions into what we perceive as normal behaviour by inserting an element of uncertainty; if he still rejects a strictly political reading of his work, some of his actions and interventions, could have a political significance and represent a disturbance in the order of things. Both works focus on impossible communication, the place of the human in the universe, and both artists fictionalize their questions and doubts about the world and the reality. From a younger generation, Roman Ondák uses the exhibition as at once an evolving space of performance and an area of distancing, where parallel time-frames intersect and individual experience mixes with social praxis. The sentence of Július Koller about his own practice could actually echo both artists’ spirit: “my work is an anthropocentric principle of understanding man in nature and in the cosmos”.


Vues

Roman Ondak / Julius Koller - Teenagers, 2002
Roman Ondak / Julius Koller
Teenagers, 2002


Julius Koller, Roman Ondák, Jirí Kovanda - Vue partielle de l'exposition, 2010
Julius Koller, Roman Ondák, Jirí Kovanda
Vue partielle de l'exposition, 2010


Roman Ondak - Untitled (Corner), 1997
Roman Ondak
Untitled (Corner), 1997
Installation

Roman Ondak - Slipped Wall, 1997
Roman Ondak
Slipped Wall, 1997
Installation

Roman Ondák, Jirí Kovanda - Vue partielle de l'exposition, 2010
Roman Ondák, Jirí Kovanda
Vue partielle de l'exposition, 2010


Jiri Kovanda, Julius Koller - Vue d'exposition, 2010
Jiri Kovanda, Julius Koller
Vue d'exposition, 2010