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Roman Ondák

Biographie

Présentation

Roman Ondák Né en 1966 à Zilina, Slovaquie. Vit et travaille à Bratislava, Slovaquie.

Chez Roman Ondàk l’exposition est à la fois un espace performatif et une zone de mise à distance où des temps parallèles se croisent, où l’expérience individuelle se mêle à la pratique sociale. Son oeuvre se trouve aux limites physiques et psychologiques de notre perception et l’espace d’exposition devient le réceptacle d’expériences humaines, un lieu questionnant la représentation et l’interprétation, la réalité et sa remise en scène.

A partir de la réalité donnée d’un lieu, d’une expérience, l'artiste déploie des fictions de manière informelle; il place son décor et son sujet, et la scène se rejoue à l’infini par le biais de différents filtres. La mémoire y occupe une place importante parce qu'elle implique les réminiscences d’un vécu, mais aussi parce qu’elle offre un espace plus libre à l'imagination et à l'inconscient.

Que ce soit sous la forme d'installations ou de performances, le travail de Roman Ondák demande souvent au spectateur d’y regarder à deux fois, le faisant se questionner sur la perception ou la conscience qu’il a des codes et comportements sociaux. Ses ‘micro mises en scènes’ ou ‘anti évènements’ faits de répétitions séquentielles improbables ou de situations à la fois simples et complexes, n’ouvrent ni ne ferment le déroulement des choses mais activent le processus de réception du spectateur.

Biographie

Roman Ondák Né en 1966 à Zilina, Slovaquie. Vit et travaille à Bratislava, Slovaquie.

Education et résidences

2010

Villa Arson, Nice

2007-08

DAAD, Berlin

2004

CCA, Kitakyushu, Japan

1999-00

Collegium Helveticum, Zürich

1994-95

Artest BINZ '39, Zürich

1993

Slippery Rock University, Pennsylvania

1988-94

Academy of Fine Arts, Bratislava, Slovakia

Expositions personnelles

2010

Salzburger Kunstverein, Salzburg

Villa Arson, Nice

Fondazione Morra Greco, Naples

2009

Rear Room, Johnen Gallery, Berlin.

Measuring the Universe, Museum of Modern Art, New York.

Loop, Czech and Slovak pavilion, 53. Venice Biennale, Venice.

Fluid Border, gb agency, Paris.

2008

Across that place, Galerie Martin Janda, Vienna.

Path, CCA Wattis Institute, San Francisco.

Measuring the Universe, DAAD gallery, Berlin.

2007

My Summer Shoes Rest in Winter, Pinakothek der Moderne, Munich.

The Day After Yesterday, BAK, Utrecht. (cat.)

Roman Ondak, Galerie im Taxispalais, Innsbruck. (cat.)

2006

Here or Elsewhere, Centre d'Art Contemporain, Brétigny.

It will All Turn Out Right in the End, Tate Modern, London.

More Silent Than Ever, gb agency, Paris.

Tourist’s Trophies, Stift Melk

2005

One Year Solo Show, Centre d'Art Contemporain, Brétigny

Roman Ondak, Galerie Martin Janda, Vienna.

2004

Passage, CCA, Kitakyushu, Japan. (cat.)

Domaine de Kerguéhennec, Centre d'Art Contemporain, Bignan, (with Didier Courbot)

Spirit and Opportunity, Kolnisher Kunstverein, Cologne. (cat.)

2003

Another Day, Dum Umeni, Brno.

Talker, gb agency, Paris.

Teenagers, Gallery Display, Prague (with Julius Koller).

Liste 03, gb agency, Basel (with Deimantas Narkevicius).

2002

Pause for a Moment, Gallery Priestor, Bratislava (with Josef Dabernig).

Guided Tour, Moderna Galerija, Zagreb.

2000

Roman Ondak, MK Gallery, Rotterdam.

Room Extension, Kunsthof, Zürich.

1999

Through the Eyes Lens, Ludwig Museum, Budapest. (cat.)

1998

Discrepancies, Spala Gallery, Prague.

Roman Ondak, Gallery of the City of Prague, Prague. (cat.)

Exposure, Ujazdowski Castle, Warsaw. (cat.)

1997

Roman Ondak, MK Gallery, Rotterdam.

1996

Roman Ondak, Gallery Ruce, Prague.

1995

Roman Ondak, Artest BINZ'39, Zürich.

Expositions de groupe

2010

6th Berlin Biennale, Berlin

Promises of the Past, Centre Pompidou, Musée National d'Art Moderne, Paris

Che cosa sono le nuvole? selection de la collection Enea Righi, Museion, Bolzano

Neugierig? Kunst des 21. Jahrhunderts. Private Sammlungen, Kunsthalle Bonn, Allemagne

In the face of spatial grandeur, Circuit, Lausanne, Suisse

Che Cosa Sono Le Nuvole, Museion, Bolzano, Italie

The Fate of Irony, KAI10, Düsseldorf, Allemagne

2009

History Memory Identity, Fondazione Cassa di Risparmio, Modena

The Rustle of Language, Gallery Francesca Kaufmann, Milan

100 Years, P.S.1, New York

The Object of the Attack, David Roberts Art Foundation, London

Nord, Nord-Ouest, gb agency, Paris

When the Lightness of Poetry, Sculpture International, Rotterdam

Voids, Eine Retrospektive, Kunsthalle, Bern

Die Kunst ist super!, Hamburger Bahnhof, Berlin

Wake up, please, Le Quartier, Quimper

Just around the corner, Casa Encendida Art Centre, Madrid

Take the Money and Run, De Appel, Amsterdam

Performing the East, Salzburger Kunstverein, Salzburg

Playing the City, Schirn Kunsthalle, Frankfurt

Fifty Fifty, Wien Museum, Vienna

The Quick and the Dead, Walker Art Center, Minneapolis

Liquid Frontiers, Tri Postal, Lille

Camouflaged Building, One Day Sculpture/public project, Wellington

Vides, Une Rétrospective, Centre Pompidou, Musée National d'Art Moderne, Paris

Aspect Ratio, Tent, Rotterdam

2008

Why there is always somewhere else, Badischer Kunstverein, Karlsruhe

All the Best, Gallery One One One, London

Don’t come in, be merciful, Gallery Johnen+Schöttle, Cologne

This is Not a Void, Gallery Luisa Strina, Sao Paolo

I am never at home, Johnen Gallery, Berlin

5th Liverpool Biennial, Liverpool

Playtime, Bétonsalon, Paris

8th Panama Art Biennial, Panama City

Translocalmotion, 7th Shanghai Biennale, Shanghai

U-TURN Quadrennial, Copenhagen

No More Reality, de Appel, Amsterdam

Museum as Medium, MARCO, Vigo

Crowd (0 -> infinity), Centre d’Art Contemporain La Tôlerie, Clermont-Ferrand

Participation, Galerie Martin Janda, Vienna

Huis Clos, Proyectos Monclova, Mexico City

Italia Italie Italien Italy, Museo d’Arte Contemporanea Sannio, Benevento

News from Mount Analogue, Musée Départemental d'Art Contemporain, Rochechouart

New Zealand International Art festival 08, Wellington

Yes, No & Other Options, Art Sheffield 08, Sheffield

Le dernier qui parle, Frac Champagne-Ardenne, Reims

The World as a Stage, ICA, Boston

2007

All dressed up with nowhere to go, Tranzitdisplay gallery, Prague

Art Perform, Art Basel Miami Beach, Miami

From a Distance, Wallspace, New York

A Choreographed Exhibition, Kunsthalle St. Gallen

Do You Remember Where They Are From?, Galerie Martin Janda, Vienna

Playground, STUK, Leuven

The World as a Stage, Tate Modern, London

Stardust, Mac/Val, Paris

Passengers, CCA Wattis Institute, San Francisco

For Sale, Cristina Guerra Contemporary Art, Lisbon

Der Process, Prague Biennial, Prague

Geografie, Vianuova per l’arte contemporanea, Florence

The Art of Failure, Kunsthaus Baselland, Basel

Memorial to the Iraq War, ICA, London

Alles wird gut, Halle für Kunst, Lueneburg

Saturday Live Actions and Interruptions, Tate Modern, London

Anachronism, Argos, Brussels

Société Anonyme, Le Plateau, Paris

Extraordinary Rendition, NoguerasBlanchard Gallery, Barcelona

Absent Without Leave, Victoria Miro Gallery, London

2006

Auditorium, Stage, Backstage, Frankfurter Kunstverein, Frankfurt

Il teatro della vita, Galleria civica di arte contemporanea, Trento

L’usage du Monde, Museum of Modern and Contemporary Art, Rijeka

The Show Will Be Open When The Show Will Be Closed, Kadist Foundation, Paris

Grenzgänger, Kunstforum Ostdeutsche Galerie, Regensburg

How to live together, 27th Bienal São Paulo, São Paulo

Ja/I/Ich, Secession, Vienna

Protections, Kunsthaus Graz

La ciudad interpretada, Santiago de Compostela

Why Pictures Now?, Museum Moderner Kunst, Vienna

Runaway, Gallery Priestor, Bratislava

Heroes and Anti-Monuments, Gallery Medium, Bratislava

Wrong, Klosterfelde Gallery, Berlin

Kontakt, Museum Moderner Kunst, Vienna

Universal Experience, MART, Rovereto

La Monnaie Vivante, Studio Micadanses, Cité des Arts, Paris

2005

Universal Experience, Hayward Gallery, London

Works on the Edge, Ludwig Museum, Budapest

After the Fact, Martin Gropius Bau, Berlin

Next Door, Barents Art Triennial, Kirkenes

En attente, Casino Luxembourg, Luxembourg

Nach Rokytnik, Museum Moderner Kunst, Vienna

Definition of Everyday, Prague Biennial 2, Prague

Populism, Frankfurter Kunstverein, Stedelijk Museum, Amsterdam

Red Riviera Revisited, Institute of Contemporary Art, Sofia

Post Notes, Midway Contemporary Art, Minneapolis

Do Not Interrupt Your Activities, Royal College of Art, London

Normalization, Platform Garanti Contemporary Art Center, Istanbul

Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago

Water Event, Astrup Fearnley Museet for Moderne Kunst, Oslo

2004

Instant Europe, Villa Manin Centro d'Arte Contemporanea, Passariano

The Future is not what it used to be, Galerie für Zeitgenössische Kunst, Leipzig

Cordially Invited, BAK, Utrecht

Time and Again, Stedelijk Museum, Amsterdam

Frieze Art Fair Projects, Frieze Art Fair, London

Czech Made, Gallery Display, Prague

Unbalanced Allocation of Space, Galerie für Zeitgenössische Kunst, Leipzig

Socle du Monde 04, Herning Kunstmuseum, Herning

Densité ±O, Fri-Art Kunsthalle, Fribourg

ev+a 2004 ‘Imagine Limerick’, Limerick City Gallery of Art, Limerick

Eintritt frei, Bawag Foundation, Vienna

Le Proche et le lointain, Domaine de Kerguéhennec, Bignan

Densité ±O, École Nationale Supérieure des Beaux-Arts, Paris

That bodies speak has been known for a long time, Generali Foundation, Vienna

2003

Utopia Station Poster Project, Haus der Kunst, Munich

Phalanstère, Centre d'Art Contemporain, Brétigny

Links, gb agency, Paris

Trautes Heim, Galerie für Zeitgenössische Kunst, Leipzig

Beautiful Banners, Prague Biennial, Prague

Utopia Station, 50.Venice Biennial, Venice

Czechoslovakia, Slovak National Museum, Bratislava

Real Utopia, Rotor, Graz

Wir müssen heute noch…, Kunstverein Cologne

Spheres of Valency, City Gallery, Bratislava

Durchzug/Draft, Kunsthalle Zürich

Sight.Seen, 4. Austrian Triennial on Photography, Graz

2002

Mental Shift, UKS gallery, Oslo

Inter Muros, Gallery Gradska Loza, Zadar

I promise it’s political, Ludwig Museum, Cologne

Do it, online project (curated by Hans-Ulrich Obrist)

Erlauf erinnert sich, public spaces in Erlauf

In Prague, Spala gallery, Prague

Fair, Royal College, London

An Artist who doesn’t speak english, Kunstihoone, Tallin

2001

Ausgeträumt…, Wiener Secession, Vienna

Central, Museum Morsbroich, Leverkusen

Die Sammlung, MUMOK, Vienna

Suspense, Slavonski Brod

Slowakische Träume, Museum Moderner Kunst, Passau

Central, Museumsquartier, Vienna

Glued Intimity, Galerie Jeleni, Prague

8.Triennial of smallscale sculpture, Fellbach

Common Ground, Begane Grond, Utrecht

Hors-Jeu, gb agency, Paris

2000

An Artist who doesn’t speak english, Kunstverein Aschersleben

After the Wall, Hamburger Bahnhof, Berlin

Chinese Whispers, Apex Art C.P., New York

Changes of Order, Trade Fair Palace, Prague

Manifesta 3, Moderna Galerija, Ljubljana

After the Wall, Ludwig Museum Budapest

Guarene Arte, Fondazione Sandretto Re Rebaudengo per l’ Arte, Torino

1999

Aspects-Positions 1949-1999, Museum Moderner Kunst, Vienna

After the Wall, Moderna Museet, Stockholm

Distant Resemblance, Trade Fair Palace, Prague

Slovak Art For Free, Slovak Pavilion on Venice Biennial

Rondo, Ludwig Museum, Budapest

1998

Made in SK, Knoll gallery, Vienna

Zimmer frei, Unikum, Klagenfurt

1997

D-signed in SK, Knoll gallery, Budapest

60/90, Former Photostudio Rembrandt, Bratislava

Samizdat, Reed College, Portland, Oregon

Selest Art, FRAC, Sélestat

1996

Interior vs Exterior, Cosmos, Bratislava

Manifesta 1, Natural History Museum, Rotterdam

MK Expositieruimte, Rotterdam

Triple Possibility, Gallery V. Spala, Prague

1995

Artists of Central and Eastern Europe, Mattress Factory, Pittsburgh

1994

Fragmente, Heiligenkreuzhof, Vienna

1992

Germination 7, Le Magasin, Grenoble

Bibliographie

Bibliographie

Presse et Catalogues (sélection)

2010

ArtPress, Roman Ondák, Subterfuge by Vivian Rebergh, #363, January

Monopol, Roman Ondák, Der Unsichtbare by Silke Hohmann, March

Mouvement, Mouvement dans le white cube by Judith Souriau, Feb-March

Inrockuptibles, Best of 2009 by Jean-Max Colard, Judicael Lavrador, Claire Moulène, Dec

23 -Jan 12

2009

Flash Art, N°268, october, Roman Ondák, Measuring the Universe by Klauss Biesenbach.

Kaleidoscope, Issue 3, September-October, Deterritorialized, Roman Ondák’s conspiratorial

art by Pierre Bal-Blanc.

Roman Ondák, Measuring the Universe, artist's book, Bawag Foundation, Vienna /JRP

|Ringier, Zurich, texts by Magali Arriola, Tim Etchells, Jeanine Griffin, Bernhart Schwenk.

The Independent, 27. February, The art of nothing, by ,John Lichfield.

Voids, exhibition catalogue, Centre Georg Pompidou, Paris/Kunsthalle Bern/JRPRingier,

Zurich, Mathieu Copeland, Making the Invisible Visible, Interview with Roman Ondák.

Süddeutsche Zeitung, Sept 9, Ein Blick zuruck weit nach vorn by Holger Liebs.

The Washington Post, June, Roman Ondák’s Fertile Twist is simply Inspired by Blake

Gopnik.

Time Out, NY, June 25th, Roman Ondák Measuring the Universe, by Drew Toal.

The Guardian, June 9th, Venise Biennale, by Adrian Searle.

Connaissance des arts, March, Mémoires du vide à Beaubourg, by D.B.

Le Monde, 22-23 Février, neuf Histoires de vide au centre Pompidou by E. Lequeux.

Les Inrocks, fevrier, Vis-à-Vide, by Jean-Max Colard.

Les Echos, 6th March, L’enfer du vide, by J. Benhamou-Huet.

Le Journal des Arts, Mars, Le vide n’est pas rien by Frédéric Bonnet.

Le Figaro, 2nd March, Quand les vides dansent by Adrien Goetz..

L’Oeil, March, faire le plein de vide, by Manou Farine.

Frieze, July, memorial to the Iraq War, by Alastair Sooke.

Frieze, March, Spare Me! by Tirdad Zolghadr.

Beaux Arts Magazine, January, Le vide à beaubourg by E. Lequeux.

2008

ArtForum, March, Roman Ondak at Pinakothek der Moderne, Munich by Catrin Lorch.

Kunst-Bulletin #1/2, pages 20-27, Situationismus by Patricia Grzonka.

2007

Tagblatt, December 3, Wege und Wälder by Ursula Badrutt Schoch.

Saiten, December, pages 28-29, Tanz Mit der Kunst by Ulriche Henke.

Kunstforum #185, Restkörper by Edgar Schmitz.

Kunst-Bulletin #3, Roman Ondak im Taxilpalais by Sabine B. Vogel.

Kunstforum #183, 27 Biennale von Sao Paulo by Thomas Wulffen.

Catalogue Anachronisme, text by Elena Filipovic.

Connaissance des Arts, L’art conceptuel des Gensollen, by Guy Bloch-Champfort, #647, March.

Artnet, Roman Ondak at Taxipalais Museum, feb. 1st.

Bidoun, #9, Maurizio Catellan Meets Roman Ondak.

2006

Frieze Projects, Artists Commissions and Talks 2003-2005, Roman Ondak by Melissa Gronlund, Distributed Art Publishers, New York.

Flash Art Magazine, (CZ and SK edition), Nov, #1, It Will All Turnout Right in the End by Simona Nastac.

Flash Art Magazine, International, Sept/Oct, Roman Ondak at gb agency by Ana Janevski

Art Press, October, Interview with Mathew Slotover by Elisabeth Lebovici.

Beaux Arts Magazine, August, Les Gensollen by Emmanuelle Lequeux.

Art Press, Roman Ondak: Ochestrateur de situations by Anna Colin, #326, Sept.

Art 21, Roman Ondak: Exposition / Espace Temps by Pascal Cuisinier, summer #8.

Numéro, Contre toute attente by Nicolas Trembley, March, #71

Exhibition Catalogue Sao Paulo Biennial, Interview with Roman Ondak by Jens Hoffmann.

Flash Art, July-Sept, Aperto Paris by Chris Sharp.

Spike, #7, Roman Ondak: Stahlarbeiter & Schokolade by Manuela Hötzl, Antje Mayer.

2005

Art Review, Roman Ondak, dec, Vol IX.

El Topo, The Wrong Gallery invites Roman Ondak to answer to five questions.

Jong Holland, Het documentation als idee by Sophie Berrebi, jaargang 21, #4.

Artforum International, Reviews, Roman Ondak, Martin Janda galerie by Sabine B. Vogel, Sept.

Tate Etc, Why are we waiting? by Max Andrews, issue 5, Autumn.

Artforum International, Who if not we..., by Christian Rattemeyer, May.

1+1+1, Roman Ondak by Lisa Painting, spring, Issue One.

Parachute, Roman Ondak, by Anne Bonin, March.

Roman Ondák, exhibition catalogue, Kölnischer Kunstverein/Walther König Verlag, texts by Frank Frangenberg, Georg Schöllhammer, Igor Zabel.

Frieze, Taking a Line for a Walk by Jan Verwoert, #90.

Artforum International, First Take : Roman Ondak by Jessica Morgan, January.

2004

The Guardian, Her dark materials by Adrian Searle, October 19.

Beaux Arts Magazine, Courbot / Ondak, double espaces by Philippe Coubetergues, #245, October.

Frieze, Roman Ondák by Catrin Lorch, #85.

Stedelijk Museum Bulletin, Time and Again, Issue 05.

Densité ±O , exhibition catalogue, Ecole Supérieure Nationale des Beaux-Arts de Paris, Fri-Art, Fribourg.

Kunstforum, Roman Ondák, by Hans-Jürgen Hafner, #171.

Springerin, Roman Ondák : Spirit and Opportunity, by Frank Frangenberg, summer.

Frankfurter Allgemeine Zeitung, Wo bitte geht's zum Mars? By Catrin Lorch, May 25.

Kunst-Bulletin, Von Reisenden und Anti-Nomaden, Ein Interview mit Roman Ondak by Catrin Lorch, #6.

2003

Frieze, That bodies speak has been known for a long time by Nicole Scheyerer, #83.

Vogue, Roman Ondak, Des voyages en partage by Frédéric Bonnet, #836, April.

Le Journal des Arts, Disparition annoncée by Olivier Michelon, March/April.

Paris-art.com, Roman Ondak, Stalker by Pierre Juhasz, March.

Kunst-Bulletin, Das die Körper sprechen?by Patricia Grzonka , March.

Die Welt, Heimat, Heimat, Heimat by Gabriela Walde, October 31.

Kunstforum, real*utopia by Heinz Schütz, #166.

Kunstforum, Wirmussen heute noch? by Frank Frangenberg, #166.

Kunstforum, Utopia Station by Thomas Wulffen, #166.

Peripheries become the center, Prague biennale, exhibition catalogue, Prague.

Common Ground, exhibition catalogue, BAK, Utrecht.

Roman Ondak by Igor Zabel, Cream 3, Phaidon Press.

Sight Seeing, exhibition catalogue, Graz, text by Werner Fenz.

Eikon, Sight Seeing by Kerstin Braun, #41.

2002

Kunstbulletin, I promise it's political-Performativität in der Kunst, by Catrin Backhaus, #8

Springerin, I promise it's political by Melanie Ohnemus, #3

Kunstforum, Keine Kunst ohne Politik by Kathrin Rhomberg, #160

I promise it's political, exhibition catalogue, Museum Ludwig, Köln, texts by Dorothea von Hantelmann, Marjorie Jongbloed.

Vjesnik, Zagreb by Leila Topic, May 21.

Kunstforum, Ausgeträumt by Dieter Buchhart, #158.

Springerin, Generation Skoda. Eine Reversion by Georg Schölhammer, #1.

2001

Ausgeträumt, exhibition catalogue, Secession, Wien, text by Kathrin Rhomberg.

Kunstforum, Neue Kunst aus Mitteleuropa, by Martin Seidel, #157.

Labyrint, Roman Ondák by Karel Cisar, #9-10.

Roman Ondák, Central, exhibition catalogue, Museumsquartier, Wien, text by Lóránd Hegyi.

8.Triennale Kleinplastik, exhibition catalogue, Fellbach, text by Roland Wäspe.

Foci, Interviews with ten international curators by Carolee Thea, Apex Art, New York.

2000

Morgenbladet, Tematiserte grenser, by Anne Karin Jortveit, September 8.

Kunstforum, Manifesta 3 by Jochen Becker, #152.

Village Voice, Kim Levin, July 26 - August 1.

Manifesta 3, exhibition catalogue, Ljubljana.

Blitz Review, Vermittlungsarbeit im Raum by Catrin Backhaus, b-613.

Guarene Arte 2000, exhibition catalogue, Fondazione Sandretto Re Rebaugengo, Torino, text by Mária Hlavajová.

Die Presse, Galerie Knoll by Florian Steininger, June 14.

Falter, Roman Ondák by Nicole Scheyerer, #27.

Profil, Feines Bunt als geistreicher Diskurs by Patricia Grzonka, #26, June 26.

Kunstbulletin, Roman Ondák im Kunsthof by Christoph Schenker, #5.

Neue Zürcher Zeitung, Das Sehen als Hypothese by Sibylle Omlin, March 30.

Tages-Anzeiger, Zurück in die Gegenwart by Edith Krebs, March 24.

1999

Aspekte-Positionen, exhibition catalogue, Museum Moderner Kunst, Wien.

Installations : Taste of Thinking by Michael Olijnyk, Mattress Factory, Pittsburgh.

Roman Ondák, exhibition catalogue, Museum Ludwig, Budapest, text by Dóra Hegy.i

Moderna Museet Magasin, text by Dóra Hegyi, #3-4.

After the Wall, exhibition catalogue, Moderna Museet, Stockholm.

1998

Roman Ondák, exhibition catalogue, Zamek Ujazdowski, Warsaw, text by Karel Srp.

Gazeta Wyborcza, text by Zuzanna Matyjek, Warsaw, December 8.

Art in America, Out of East by Judith Stein, #4.

1997

Samizdat, exhibition catalogue, Reed College, Portland.

1996

NRC, Rotterdam, text by Beat Stigter, Jun 21,

ARTI, Artists fromCentral and Eastern Europe, by Pamela Markham, May/June.

New Art Examiner, Siting Slavs at the Factory by Paul Krainiak, #3.

Pittsburgh Newsweekly, Site, by Chris Potter, January 25-31.

1995

Neue Bildende Kunst, Die Kunst Bleibt Frei... by Pavel Liska, #2.

Articles de presse

Cliquer sur la partie soulignée pour télécharger les articles au format pdf

Presse (sélection)

2010

Mouvement, #54, français, "Mouvements dans le White Cube", texte de Judith Souriau, janvier-mars.

Monopol, allemand, "Der Unsichtbare", texte de Silke Hohmann, Mars

Art Press, #363, français/anglais, "Roman Ondak, Subterfuge", texte de Vivian Rehberg, Janvier.

2009

The Washington Post, anglais, "Roman Ondak' Fertile Twist Is Simply Inspired", texte de Blake Gopnik, 10 juin.

L'oeil, français, "Faire le plein de vide", texte de Manou Farine, Mars.

Kaleidoscope, #3, anglais, "Deterritorialized", texte de Pierre Bal-Blanc, Septembre.

Frieze, "Spare me!", texte de Tirdad Zolghadr, mars.

Flash art, anglais, "Measuring the universe", interview de Klaus Biesenbach, Octobre.

Art Review, anglais, texte de Astrid Mania, décembre.

Artforum, anglais, textes de Christine Macel et Matthew Higgs, Décembre.

2008

Kunstbulletin, allemand, "Situationismus", texte de Patricia Grzonka, n°1/2 2008.

Artforum, anglais, texte de Brigitte Huck, Décembre.

ArtForum, anglais, "Roman Ondak at Pinakothek der Moderne, Munich", texte de Catrin Lorch, Mars.

2006

Flash Art Magazine International, #250, anglais, "Roman Ondak at gb agency", texte de Ana Janevski, Octobre.

Art Press, #326, français/anglais, "Roman Ondak: Ochestrateur de situations", texte d'Anna Colin, Septembre.

Art 21, #8, français, "Roman Ondak : Exposition / espace-temps", texte de Pascal Cuisinier, Été.

Numéro, #71, français, "Contre toute attente", entretien avec Nicolas Trembley, Mars.

2005

Tate Etc, #5, anglais, "Why are we waiting?", texte de Max Andrews, Automne.

Frieze, #90, anglais, "Taking a Line for a Walk", texte de Jan Verwoert, Avril.

Artforum International, anglais, "First Take : Roman Ondak", texte de Jessica Morgan, Janvier.

Publications

Measuring the universe

Développant les principaux thèmes du travail de Roman Ondák – temporalité, déplacement et voyage, présence / absence, etc. –, ce livre d'artiste documente le projet éponyme élaboré dans le cadre de la 53e Biennale de Venise.

Sous la forme d'installations discrètes et de performances, le travail complexe de Roman Ondák (né en 1966 à Zilina, Tchécoslovaquie, vit et travaille à Bratislava, Slovaquie) articule une pensée complexe de la représentation et du temps avec une réflexion sur un espace d'exposition déconstruit, questionnant le spectateur dans la perception et la conscience qu'il peut avoir des codes et des comportements sociaux et individuels.

Roman Ondák représente la Slovaquie à la 53e Biennale de Venise au pavillon CZ/SK, du 7 juin au 22 novembre 2009

Roman Ondak

Oeuvres

Untitled (Corner), 1997

Slipped Wall, 1997

Loop, 2009

Fluid Border, 2009

Announcement, 2002/08

Insiders, 2008

Path, 2008

My Summer Shoes Rest in Winter, 2007

Pocket Money of My son, 2007

Measuring the Universe, 2007

Site, 2003/2007

Lucky Day, 2006

More Silent Than Ever, 2006

The Stray Man, 2006

Resistance, 2006

It Will All Turn Out Right in the End, 2005-06

Two Mars Stories, 2004-06

Retrospective, 2005

Untitled, 2005

Interview, 2005

The Day After Yesterday, 2005

New Territories, 2005

Lucky Coin, 2005

Passage (Inventory of Production), 2004

Crowd, 2004

Spirit and Opportunity, 2004

Silence, Please, 2004

Good Feelings in Good Times, 2003

His Affair with Time, 2003

Bad News is a Thing of the Past Now, 2003

Awaiting Enacted, 2003

Another Day, 2003

Tomorrows, 2002

Teaching to Walk, 2002

Guided Tour (Follow Me), 2002

Das Dritte Denkmal, 2002

Tickets, Please, 2002

Untitled (Traffic), 2001

SK Parking, 2001

Casting Antinomads, 2000

Common Trip, 2000

Antinomads, 2000

Museum/Storage, 1999

Is that the way it was?, 1998

Untitled, 1997

Closer to Each Other, 1997