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Mac AdamsProgramme
Robert Breer
Elina Brotherus
Omer Fast
Ryan Gander
Mark Geffriaud
Július Koller
Jirà Kovanda
Deimantas Narkevicius
Roman Ondák
Dominique Petitgand
Pratchaya Phinthong
Pia Rönicke
Yann Sérandour
ProchainementAilleursPratchaya PhinthongEn cours
Július KollerA common feelingArchives2012FoiresRyan Gander2011
Pia RönickeMark Geffriaud2010
Deimantas Narkevicius
Mac Adams
Yann Sérandour
Dominique Petitgand
Jirà KovandaRobert Breer, "Clouds"2009
Omer Fast "Nostalgia"
Both Before and After
The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty)
Elina Brotherus, "Artists at Work"
Elina Brotherus, "Rétrospective"Deimantas Narkevicius2008
"Là où les eaux se mêlent"
Pratchaya Phinthong "What I learned I no longer know; the little I still know, I guessed"
"Nord, Nord-Ouest"
Roman Ondák "Fluid Border"
Ryan Gander « It’s a right Heath Robinson affair » (A stuttering exhibition in two parts)
Mark Geffriaud « Si l’on pouvait être un Peau-Rouge »
Berlin-Paris, un échange de galeriesYann Sérandour « Weiss »2007
Pia Rönicke & Zeynel Abidin Kizilyaprak «An Usual Story from a Nameless Country»
« Faces »
Jiri Kovanda «Two Cushions»
Omer Fast «De Grote Boodschap»« Cinematic Panorama »2006
Elina Brotherus
Pratchaya Phinthong «if I dig a very deep hole»
Julius Koller «Space is The Place»
Mac Adams «07-70»
« The Last piece By John Fare »
« Time Flies »Dominique Petitgand «Quelqu’un par terre (Someone one the ground)»2005
Pia Rönicke «Rosa's Letters - Telling a Story»
« Jiri Kovanda VS Reste du monde (Tentatives de Rapprochement) »
Roman Ondák «More Silent Than Ever»
« Outside The Living Room »
Deimantas Narkevicius «Instead of Today»
Omer Fast «Godville»« Petites Compositions entre amis - Séquence 3 »2004
« Petites Compositions entre amis - Séquence 2 »
« Petites Compositions entre amis - Séquence 1 »
Elina Brotherus «Model Studies»Pia Rönicke «Without a Name»2003
Loris Gréaud «Ending Introduction»
Robert Breer
Alban Hajdinaj «My Home is Your Home»« Links »2002
« Present Perfect »
Roman Ondák «Talker»Mac Adams «Beneath The Shadow»2001
Omer Fast
Deimantas Narkevicius
Dominique PetitgandRobert Breer
Elina Brotherus «Suites françaises 2»
« Hors-jeu »Art Basel Miami Beach
Artissima, 11
Fiac 11, Paris
Art Basel 42
Independent 2011, New York
ArchivesArtissima 17, Turin
Fiac 10, Paris
Sunday, Londres
Art 41 Basel
Independent
Art 40 Basel
Art Basel Miami Beach
FIAC 09, Paris
The Fair Gallery > Frieze Art Fair
Mac AdamsLevel One
Robert Breer
Elina Brotherus
Omer Fast
Ryan Gander
Mark Geffriaud
Július Koller
Jiri Kovanda
Deimantas Narkevicius
Roman Ondák
Dominique Petitgand
Pratchaya Phinthong
Pia Rönicke
Yann Sérandour
InfosLiens
Joris Lacoste - 12 rêves préparés
John Smith with John Berger, Black Audio Film Collective, Peter Watkins
St.op-St.art (1965-2011 – UIPT, superintendent Tamas St.Turba)
Mac AdamsProgram
Robert Breer
Elina Brotherus
Omer Fast
Ryan Gander
Mark Geffriaud
Július Koller
Jirà Kovanda
Deimantas Narkevicius
Roman Ondák
Pratchaya Phinthong
Dominique Petitgand
Pia Rönicke
Yann Sérandour
UpcomingOffsitePratchaya PhinthongCurrent
Július KollerA common feelingArchives2012FairsRyan Gander2011
Pia RönickeMark Geffriaud2010
Deimantas Narkevicius
Mac Adams
Yann Sérandour
Dominique Petitgand
Jirà Kovanda, "Wait, please, she will come"Robert Breer, "Clouds"2009
Omer Fast "Nostalgia"
Both before and after
The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty)
Elina Brotherus "Artists at Work"
Elina Brotherus, "Retrospective"Deimantas Narkevicius2008
Where water comes together with other water
Pratchaya Phinthong "What I learned I no longer know; the little I still know, I guessed"
Nord, Nord-Ouest
Roman Ondák "Fluid Border"
Ryan Gander "It’s a right Heath Robinson affair" (A stuttering exhibition in two parts)
Mark Geffriaud "If one were only an Indian"
Berlin-Paris, a gallery exchangeYann Sérandour "Weiss"2007
Pia Rönicke & Zeynel Abidin Kizilyaprak "An Usual Story From a Nameless Country"
"Faces"
Jiri Kovanda "Two Cushions"
Omer Fast "De Grote Boodschap""Cinematic Panorama"2006
Elina Brotherus
Pratchaya Phinthong "if I dig a very deep hole"
Julius Koller "Space is The Place"
Mac Adams "07-70"
"The Last Piece by John Fare"
"Time Files"Dominique Petitgand2005
Pia Rönicke "Rosa's Letters- Telling a Story"
Jiri Kovanda "Jiri Kovanda vs Reste du Monde (Tentatives de rapprochement)"
Roman Ondák "More Silent Than Ever"
"Outside The Living Room"
Deimantas Narkevicius "Instead of Today"
Omer Fast "Godville""Petites compositions entre amis - Sequence 3"2004
"Petites compositions entre amis - Sequence 2"
"Petites compositions entre amis - Sequence 1"
Elina Brotherus "Model Studies"Pia Rönicke "Without a Name"2003
Loris Greaud "Ending Introduction"
Robert Breer
Alban Hajdinaj "My Home is Your Home""Links"2002
"Present Perfect"
Roman Ondák "Talker"Mac Adams "Beneath the Shadow"2001
Omer Fast
Deimantas Narkevicius
Dominique PetitgandRobert Breer
Elina Brotherus "Suites Françaises 2"
"Hors-Jeu"Art Basel Miami Beach
Artissima 11, Torino
Fiac 11, Paris
Art Basel 42
Independent, New York
ArchivesArtissima 10, Torino
Fiac 10, Paris
Sunday, London
Art 41 Basel
Independent
Art 40 Basel
Art Basel Miami Beach
Fiac, Paris
The Fair Gallery > Frieze Art Fair
Mac AdamsLevel One
Robert Breer
Elina Brotherus
Omer Fast
Ryan Gander
Mark Geffriaud
Július Koller
Jiri Kovanda
Deimantas Narkevicius
Roman Ondák
Dominique Petitgand
Pratchaya Phinthong
Pia Rönicke
Yann Sérandour
InfosLinks
Joris Lacoste - 12 rêves préparés
John Smith with John Berger, Black Audio Film Collective, Peter Watkins
St.op-St.art (1965-2011 – UIPT, superintendent Tamas St.Turba)





















The public perception of Jiřà Kovanda’s work often focuses on his early interventions in the public space, where during the second half of the 1970s, he implemented a series of performances in Prague that examined the socially familiar that hovered on the edge of invisibility, probing the leeway everyday life leaves the individual. For instance, he would stare, as though spellbound, in the eyes of people standing behind him on an escalator, or stand, arms spread wide, on the city’s central Wenceslas Square. In other works, he staged arrangements of perfectly humble materials - piles of leaves or small towers made of sugar cubes placed, seemingly casually, at selected sites in the city.
After focusing on creating collages and assemblages during the1980s and 1990s, he has in recent years increasingly returned to ephemeral and situation-specific actions and installations. In Kissing Through Glass (2007), for instance, visitors at the Tate Modern, London, were invited to interact with the artist in the way indicated by the title. Jiřà Kovanda likes to place, with an almost offhand gesture, various objects—though mostly taken from domestic life. During the opening of Fiac with gb agency in 2007, he smuggled candies into visitors’ handbags. In occasion of his exhibition in CGAC, Santiago de Compostela, he cut an antique round table into four parts, which he fitted into the corners of the room (2008). In these presentations, Kovanda applies the poetic-Surrealist principle of transforming objects and situations by means of small alterations that displace them into more open significant contexts.
Recently, Jiřà Kovanda developed several exhibitions made only with objects found on site, with no predetermined ideas about the objects before the beginning of their installation and subsequent exhibition. For his new show at gb agency, Jiřà Kovanda moves forward with these improvisational strategies: for the opening the artist proposes and empty space, forming or finding works as the evening progresses. Wishing not to announce more details about his coming show, except that it might include some objects, installation pieces or events, the artist titles this exhibition....‘Wait, please, she will come’.
Jiřà Kovanda was Born in 1953, he lives and works in Prague, Czech Republic.