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Both before and after
The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty)
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2009
Deimantas Narkevicius
Where water comes together with other water
Pratchaya Phinthong "What I learned I no longer know; the little I still know, I guessed"
Nord, Nord-Ouest
Roman Ondák "Fluid Border"
Ryan Gander "It’s a right Heath Robinson affair" (A stuttering exhibition in two parts)
Mark Geffriaud "If one were only an Indian"
Berlin-Paris, a gallery exchange
2008
Yann Sérandour "Weiss"
Pia Rönicke & Zeynel Abidin Kizilyaprak "An Usual Story From a Nameless Country"
"Faces"
Jiri Kovanda "Two Cushions"
Omer Fast "De Grote Boodschap"
2007
"Cinematic Panorama"
Elina Brotherus
Pratchaya Phinthong "if I dig a very deep hole"
Julius Koller "Space is The Place"
Mac Adams "07-70"
"The Last Piece by John Fare"
"Time Files"
2006
Dominique Petitgand
Pia Rönicke "Rosa's Letters- Telling a Story"
Jiri Kovanda "Jiri Kovanda vs Reste du Monde (Tentatives de rapprochement)"
Roman Ondák "More Silent Than Ever"
"Outside The Living Room"
Deimantas Narkevicius "Instead of Today"
Omer Fast "Godville"
2005
"Petites compositions entre amis - Sequence 3"
"Petites compositions entre amis - Sequence 2"
"Petites compositions entre amis - Sequence 1"
Elina Brotherus "Model Studies"
2004
Pia Rönicke "Without a Name"
Loris Greaud "Ending Introduction"
Robert Breer
Alban Hajdinaj "My Home is Your Home"
2003
"Links"
"Present Perfect"
Roman Ondák "Talker"
2002
Mac Adams "Beneath the Shadow"
Omer Fast
Deimantas Narkevicius
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2001
Robert Breer
Elina Brotherus "Suites Françaises 2"
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Pratchaya Phinthong "What I learned I no longer know; the little I still know, I guessed"

Press release

Pratchaya Phinthong "What I learned I no longer know; the little I still know I guessed" September 5 - October 10, 2009

Thai artist Pratchaya Phinthong has conceveived his second solo exhibition at gb agency, Paris as an empty space full of anticipations and speculations, stretching the definition of what we learned to what we know and how we guess. In this exhibition Pratchaya Phinthong carries on his work linked to notions of displacement and exchange values but also to processes of transmission of knowledge.

The work What I learned I no longer know; the little I still know, I guessed (2009) is a sculpture made of Zimbabwean Dollars (ZWD) banknotes, currently the world’s lowest currency, with banknotes reaching 50 trillion ZWD. To realize this piece, the artist has exchanged 5 000 euros he earnt from recent years to ZWD, setting up a system of recollection and exchange with people in Zimbabwe. Banknotes are sent in Paris little by little and displayed as a growing stack of paper on the floor, materializing the process of completion of the work: the form/appearance of this sculpture evolving during the time of the show.

Inversely, the work 2017 (2009) is a large-scale wall painting made using a disappearing ink and reproducing a text found on the Internet, in which a scientific experiment (related to the massive CERN’s particles accelerator) draws to paranoid rumors and religious eschatological fears. These evaporating words are facing the work Untitled (2009), photographs of four meteorites sliced and polished as mirros, reflecting the sky where they just come from.

This new body of works reflect different systems of exchanges (monetary, cultural, scientific, epistemiologic) and the values we attribute them.


Exhibition views

Pratchaya Phinthong - What I learned, I no longer know; the little I still know, I guessed, 2009
Pratchaya Phinthong
What I learned, I no longer know; the little I still know, I guessed, 2009
Stack of Zimbabwean Dollars banknotes

Pratchaya Phinthong - What I learned, I no longer know; the little I still know, I guessed, 2009
Pratchaya Phinthong
What I learned, I no longer know; the little I still know, I guessed, 2009
Stack of Zimbabwean Dollars banknotes

Pratchaya Phinthong - 2017, 2009
Pratchaya Phinthong
2017, 2009
Wall painting

Pratchaya Phinthong - Untitled, 2009
Pratchaya Phinthong
Untitled, 2009
Four coior photographs